

By 1984, when what would have become the Offspring
formed, the original Orange County punk scene had
fractured. "We used to go this dance club called
Circle City, and there'd be 10 different cliques," says
Kriesel. "In our high school there was a rockabilly
scene, as well as a mod scene and a New Wave scene,
as well as a punk scene," Holland adds.
But at Pacifica High, a large public school in
Garden Grove, Calif. Holland wasn't a member of any of those
groups. The third of four children born to a
hospital administator father and a schoolteacher mother, he kept
busy being a "good kid" and hoped to be a doctor.
"Sports were a really big thing," Holland says, "I was on
the cross-country team." He also happened to
be class valedictorian (thus his nickname, Dexter).
His senior year, Holland's older brother gave
him a Rodney on the ROQ compilation album. Before then,
Holland was a casual listener. But soon after,
he was devouring Flipside and Maximumrocknroll, fanzines
out of Pasadena, Calif., and Berkeley, Calif.,
respecively, that are virtual how-to guides to punkdome. His
favorite bands were T.S.O.L. (particulary 1981's
Dance With Me), the Adolescents and Agent Orange
County bands that weren't as hung up on politic
as their Bay Area counterparts.
Holland's cross-country teammate Greg Kriesel
discovered punk even later. His investment-banker father
saw law school in his son's future. And for most
of high school, Kriesel was a sports fan and
self-proclaimed jock (he also played baseball).
The first punk records he ever heard were the ones the ones
Holland played for him. "Music wasn't something
that meant a lot to me," he says. "But I started listening to
it because it was around, and I got used to it."
Holland and Krisel formed their first band, Manic
Subsidal, with two other cross-country teammates one
night in 1984 after failing to get in a Social
Distortion show. At the time, the two didn't even own
instruments, much less know how to play them.
"Bryan and I both learned together," says Kriesel, "and he
wasn't even playing chords at the time, so he'd
play on one string, and I tried to do the same thing. By the
summer we were actually playing songs, but it
took a while."
Kriesel's house was the site of the band's first
gigs. "It's just always a hangout," Kriesel says, "on any given
weekend night up to 20 people could drop by.
I had a big upstairs that was pretty much mine, and my mom
was downstairs. But she's always been really
cool about it.
That fall, Holland began premed studies at USC
(he's currently a Ph.D. candidate in molecular biology).
Kriesel was attending Golden West Junior College
and later recieved a B.A. in finance from Long Beach
State while working part time in a print shop
(he's planning to attend law school). Weekends were the only
time the band could rehearse.
Once Holland had written a handful of songs with
self-explanitory titles like "Very Sarcastic" and "Sorority
Bitch," the fledgling band headed for a cheap
studio. Momentarily waylaid when its guitarist jumped ship,
the band recruited Kevin Wasserman, an older
Pacifica grad who then worked as the school janitor. Pretty
soon, Wasserman was "not doing a hell of a lot
except practicing at Greg's house on weekends and drinking
excessively." Being the only member of the band
over 21, Wasserman was particularly useful when it came
to buying beer.
"I remember being amazed by Bryan," Wasserman
says, "He was valedictorian, he was such a math geek.
So when I first saw him with black hair and plaid
bondage pants, I was like 'What are you doing?' But I
thought it was cool, going beyond what I thought
was society's role for him."
Ron Welty moved to Garden Grove for part of high
school, and it was there that his older stepsister
introduced him to Holland. "My mom's been through
a few divorces," Welty says. "She'd get remarried and
we'd move, and then she'd get divorced, we'd
move." Welt was only 16 when he begged Holland to let him
substitute for Manic Subsidal's drummer who had
started medical school and wads missing lots of gigs.
In 1987, the Offsping paid to release their own
7-inch single. Unable to afford the additional quarter per
copy it cost to paste the front sleves to the
backs, the band bought a case of beer and glue sticks and held a
party for its friends. "To this day the covers
don't hold together too well," says Holland. It took the band two
and a half years to get rid of the 1,000 copies
it printed.
Two years and a pile of rejections later, the
Offspring scored a contract with Nemesis, a small punk label
distributed by Cargo. After tracking down producer
Thom Wilson, who had crafted their favorite albums by
T.S.O.L., the Vandals and the Dead Kennedys,
the Offspring recorded another 7-inch single, called
Baghdad, and an album debut titled The Offspring.
"All punk bands back in '84 wrote about was police,
death, religion and war," says Holland. "So that's
what we did."
While recording a track for a Flipside compilation
with Brett Gurewitz - owner of Epitaph records and then
Southern California's biggest punk success story,
Bad Religion - the Offspring glimpsed a rosier future. "A
little after that, I got a tape," says Gurewitz.
"But I have to admit I passed on it."
A year later, when the Offspring began circulating
demos for what would become their next album to every
punk label they could think of, Gurewitz reconcidered.
"It definitely had what people call the Epitaph sound,"
he says. "High energy, rebelleous punk with great
melodies and cool economical song structures. "In 1992
Epitaph released Ignition, 12 brief but energetic
Offspring songs that summed up the previous decade of
Orange County Punk. Other Epitaph bands include
Rancid and NOFX.
In 1994 their breakthough single Come out and
Play and top hit Self Esteem helped push thier third album,
Smash to the best selling independent record
of all time (9 million plus), and heavy MTV rotation. After the
success of Smash, new fans discovered Ignition
as it reappeared in stores. Due to the amount of
overpriced, poor quality bootlegs, they rereleased
their self titled The Offspring in 1995 with thier own
label, Nitro. Nitro has released albums for several
other bands, including The Vandals and Guttermouth.
In 1996, the Offspring signed with Columbia records
after disputes with Epitaph. Their next album, Ixnay
on the Hombre, was released in February 1997.
Dexter and Jello Biafra stared their own benefit
foundation, FSU this year. They are currently
on tour.
Dexter Holland
Dexter Holland was born as Bryan Holland in Orange
County, California in 1966. Surprisingly, unlike most rock personalities,
Dexter is smart! He graduated as class valedictorian,
and that's how he got the nickname "Dexter." As Noodles puts it: "I
remember being amazed by Bryan. He was valedictorian,
he was such a math geek. So when I first saw him with black hair and
plaid bondage pants, I was like 'What are you doing?'
But I thought it was cool, going beyond what I thought was society's role
for him." In addition to being class valedictorian,
Dexter finished his PhD in microbiology after the release of Smash. This
is what's one of the coolest things about
Dexter - he's a punk singer, but he's also not stupid, and isn't a stoner,
either. (read the lyrics to Hypodermic)
Dexter now runs Nitro Records in addition to
continuing singing for the Offspring.
Noodles
Noodles was born as Kevin Wasserman in Los Angeles,
California on February 4, 1963. He is the band's guitarist and also does
backup vocals on many songs.
Greg K.
Greg K. was born as Greg Kriesel in Glendale, California on January 20, 1965. He plays bass.
Ron Welty
Ron Welty was born as Ron Welty, (the only member without a nickname) in Long Beach, California on February 1, 1971. He is the youngest member of the band and their drummer.